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As a young designer in Brooklyn, I spend a lot of time thinking about the visual noise of New York City. The bodegas with their sun-faded awnings, the MTA’s blue-and-yellow geometry, the brush-painted signs clinging to restaurants that have outlived ten different real estate cycles—this is our visual language. It’s messy, loud, confident, and crowded. Most political campaigns, on the other hand, feel like they come from a different universe: sterile blues, polite sans-serifs,